14 Iced Bears
Styrofoam Winos, 02-05-26, Just Dropped In Records, Coventry 🎵
Spotify playlist of the set. Missing 2 tracks not currently available on Spotify
The Smyths, 08-05-2026, Queens Hall, Nuneaton 🎵
Spotify playlist of the originals of the songs in the set


There’s a Northern Irish blues singer mentioned in Louise Kennedy’s novel Trespasses, Ottilie Patterson. I decided to check out some of her music on Spotify and it’s really good.
Today I was reminded just how much music can move me. On my son’s recommendation I listened to Jeff Buckley’s recording of the Smiths' song “I Know It’s Over” Wow!
Today I learned Albinoni’s Adagio wasn’t written by Albinoni 🎵
Another article on the harsh reality of how difficult it is for musicians to earn money from touring. As someone to whom live music has meant a great deal over the years, I find it very sad. I guess the best we can do is try to support small venues whenever we can 🎵
For some time now and almost without realising it, I’ve been building a digital scaffold for my memories.
Social media is one example, but I’ve barely been using this in recent years and prefer to add what little I do share to Micro.blog.
But there are more subtle aspects. My IMDb lists hold a record of all the films I’ve watched since 2004. My (more recent) Letterboxd account also includes the date and with whom I watched the film. Last.fm captures music I’ve listened to, and concerts I’ve attended are kept in Setlist.fm. All the books I’ve read are catalogued in LibraryThing, which I’ve written about before.
The more I think about it, the more scaffolding boards I discover. This is a topic I will be returning to…
When I heard the news about SinĂ©ad O’Connor, I was immediately transported back to 1987, living at my grandmother’s, listening to The Lion and the Cobra on cassette.
It was one of a small number of albums that meant a great deal to me then. Her vocal performance was mesmerising and the standout track for me was always Troy.
A few years later, when I got my first CD player I Do Not Want What I Haven’t Got was my first CD. She was hugely talented, shamefully underrated and a true trailblazer.
I agree with very little of what Morrissey says these days, though I continue to enjoy his music. But this is powerful.
RIP Shuhada' Sadaqat
As a lifelong music fan, some of my happiest and most vivid memories are from live music events. It saddens me to think that this is the reality facing musicians today Lorde: “Touring Has Become a Demented Struggle to Break Even”
I first published a list of my 100 favourite songs on my old Wordpress site back in 2010.
I revisit the list often and wrestle with the quality of my choices. Sometimes I think it needs updating, but honestly it’s hard to identify what could be replaced. So here’s my list, in no particular order:
How I catalogue my music has evolved since I first started doing it over 10 years ago. In this article I’ll share how I started and how things have changed.
My first compact disc player was a 21st birthday gift from my parents. The first album I listened to, also a gift, was I Do Not Want What I Haven’t Got by Sinéad O’Connor.
Music was one of the first things I started cataloguing and there were several aspects to it.
First there was my collection of CDs. In 2009 I found a simple Windows application – Orange CD – which did the job well. The application made it easy to enter albums by barcode, by scanning the disc in the drive or manually. It also allowed the collection to be published online. At the time of writing my collection is still there.
Even before I finished cataloguing my CDs I’d begun to rip them to my PC’s hard disk. This was the 2nd aspect to cataloguing my music. Once all my CDs had been ripped, I had a digital version of the collection. I didn’t give much thought to how my digital collection was organised. By default albums are ripped to folders of the same name. Album folders sit inside artist folders. Doing something other than this default would simply have created more work.
When you have enough of them even compressed MP3 files take up too much space. I moved them over to the cloud after taking out my first Dropbox subscription in 2016. More recently I’ve moved all my files and folders to iCloud.
The 3rd aspect to my music cataloguing was certainly the easiest. Around the same time I started cataloguing my physical music collection, I also started to track my listening. The iPod Touch was already 2 years old and listening via apps was common. To begin with I “scrobbled” music using a custom app. In time Last FM was able to link to streaming services and track the music I listened to on those services.
It’s interesting to look at my listening trends over 12 years as a Last FM member. At the moment I don’t listen to much of anything. But there have been times when I’ve been a heavy user of streaming services. Anyone taking a close look will see a strangely eclectic library.
These days I still have physical CDs. But really I hold on to them as mementos. Before getting rid of more than half my collection I made playlists on Spotify of all the albums I owned. Whenever I want to enjoy the album in full I can now do so from my Spotify library.
Of course Spotify doesn’t have everything. So for those albums I owned that weren’t available I used an app called Cloudbeats. It’s a simple media player for cloud music files. Although it links to most of the main services when I moved to iCloud recently I discovered it wasn’t supported. I’ll need to find another solution to this in time but for now it’s not a big issue.
How I catalogue my music may have changed significantly since I started. But I continue to enjoy it and I remain on the lookout for improvements I can make.